{"id":1323,"date":"2023-01-25T10:59:29","date_gmt":"2023-01-25T09:59:29","guid":{"rendered":"https:\/\/aat.es\/las-puertas-del-drama\/?page_id=1323"},"modified":"2026-06-15T17:55:23","modified_gmt":"2026-06-15T15:55:23","slug":"inicio","status":"publish","type":"page","link":"https:\/\/aat.es\/las-puertas-del-drama\/","title":{"rendered":"Portada"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1323\" class=\"elementor elementor-1323\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ba5dd6e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ba5dd6e\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-878589d\" data-id=\"878589d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9070a9a elementor-widget elementor-widget-heading\" data-id=\"9070a9a\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Las Puertas del Drama 64. Junio 2026<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-099492a elementor-widget elementor-widget-heading\" data-id=\"099492a\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Dramaturgia en red<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b419324 elementor-widget elementor-widget-jet-listing-grid\" data-id=\"b419324\" data-element_type=\"widget\" data-settings=\"{&quot;columns&quot;:&quot;3&quot;,&quot;columns_tablet&quot;:&quot;2&quot;,&quot;columns_mobile&quot;:&quot;1&quot;}\" data-widget_type=\"jet-listing-grid.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing-grid jet-listing\"><div class=\"jet-listing-grid__items grid-col-desk-3 grid-col-tablet-2 grid-col-mobile-1 jet-listing-grid--1329\" data-queried-id=\"1323|WP_Post\" data-nav=\"{&quot;enabled&quot;:false,&quot;type&quot;:null,&quot;more_el&quot;:null,&quot;query&quot;:[],&quot;widget_settings&quot;:{&quot;lisitng_id&quot;:1329,&quot;posts_num&quot;:50,&quot;columns&quot;:3,&quot;columns_tablet&quot;:2,&quot;columns_mobile&quot;:1,&quot;column_min_width&quot;:240,&quot;column_min_width_tablet&quot;:240,&quot;column_min_width_mobile&quot;:240,&quot;inline_columns_css&quot;:false,&quot;is_archive_template&quot;:&quot;&quot;,&quot;post_status&quot;:[&quot;publish&quot;],&quot;use_random_posts_num&quot;:&quot;&quot;,&quot;max_posts_num&quot;:9,&quot;not_found_message&quot;:&quot;No se han encontrado art\\u00edculos&quot;,&quot;is_masonry&quot;:false,&quot;equal_columns_height&quot;:&quot;&quot;,&quot;use_load_more&quot;:&quot;&quot;,&quot;load_more_id&quot;:&quot;&quot;,&quot;load_more_type&quot;:&quot;click&quot;,&quot;load_more_offset&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:0,&quot;sizes&quot;:[]},&quot;use_custom_post_types&quot;:&quot;&quot;,&quot;custom_post_types&quot;:[],&quot;hide_widget_if&quot;:&quot;&quot;,&quot;carousel_enabled&quot;:&quot;&quot;,&quot;slides_to_scroll&quot;:&quot;1&quot;,&quot;arrows&quot;:&quot;true&quot;,&quot;arrow_icon&quot;:&quot;fa fa-angle-left&quot;,&quot;dots&quot;:&quot;&quot;,&quot;autoplay&quot;:&quot;true&quot;,&quot;pause_on_hover&quot;:&quot;true&quot;,&quot;autoplay_speed&quot;:5000,&quot;infinite&quot;:&quot;true&quot;,&quot;center_mode&quot;:&quot;&quot;,&quot;effect&quot;:&quot;slide&quot;,&quot;speed&quot;:500,&quot;inject_alternative_items&quot;:&quot;&quot;,&quot;injection_items&quot;:[],&quot;scroll_slider_enabled&quot;:&quot;&quot;,&quot;scroll_slider_on&quot;:[&quot;desktop&quot;,&quot;tablet&quot;,&quot;mobile&quot;],&quot;custom_query&quot;:false,&quot;custom_query_id&quot;:&quot;&quot;,&quot;_element_id&quot;:&quot;&quot;,&quot;collapse_first_last_gap&quot;:false,&quot;list_tag_selection&quot;:&quot;&quot;,&quot;list_items_wrapper_tag&quot;:&quot;div&quot;,&quot;list_item_tag&quot;:&quot;div&quot;,&quot;empty_items_wrapper_tag&quot;:&quot;div&quot;}}\" data-page=\"1\" data-pages=\"1\" data-listing-source=\"posts\" data-listing-id=\"1329\" data-query-id=\"\"><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3656\" data-post-id=\"3656\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/dramaturgia-en-red\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img fetchpriority=\"high\" decoding=\"async\" width=\"902\" height=\"902\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/Drama64-Portada-cuadr.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"DRAMA 64. DRAMATURGIA EN RED\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/Drama64-Portada-cuadr.webp 902w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/Drama64-Portada-cuadr-300x300.webp 300w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/Drama64-Portada-cuadr-150x150.webp 150w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/Drama64-Portada-cuadr-768x768.webp 768w\" sizes=\"(max-width: 902px) 100vw, 902px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/dramaturgia-en-red\/\">Dramaturgia en red<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Consejo de Redacci\u00f3n<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/dramaturgia-en-red\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3708\" data-post-id=\"3708\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/dramaturgia-en-red-a-modo-de-presentacion\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"700\" height=\"466\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-5-AAT-1.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"Mesa redonda de asociaciones y colectivos de autor\u00eda teatral celebrada durante el XIX Sal\u00f3n Internacional del Libro Teatral (2018), con representantes de AVEET, ADIB, AAT, Barcelona Playwrights, Colectivo del Texto, DramaturGa y DREM. FOTOGRAF\u00cdA: Sergio Reyes \/ AAT.\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-5-AAT-1.webp 700w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-5-AAT-1-300x200.webp 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/dramaturgia-en-red-a-modo-de-presentacion\/\">Dramaturgia en red: <br \/>a modo de presentaci\u00f3n<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Javier de Dios L\u00f3pez<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/dramaturgia-en-red-a-modo-de-presentacion\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3678\" data-post-id=\"3678\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/acd-associacio-catalana-de-dramaturgia\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"700\" height=\"420\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-3-ACD-1.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"PD64-3-ACD-1\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-3-ACD-1.webp 700w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-3-ACD-1-300x180.webp 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/acd-associacio-catalana-de-dramaturgia\/\">ACD &#8211; Associaci\u00f3 Catalana <br \/>de Dramat\u00fargia<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Marta Ar\u00e1n<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/acd-associacio-catalana-de-dramaturgia\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3687\" data-post-id=\"3687\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/dramaturgia-balear-diagnostico-retos-y-futuro-de-un-ecosistema-en-construccion-una-reflexion-colectiva-a-partir-del-proceso-de-escucha-realizado-por-adib-a-sus-afiliadas-y-afiliados\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"300\" height=\"375\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-4-ADIB-2.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"Semana de la Dramaturgia. Foto: Luca Rochi\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-4-ADIB-2.webp 300w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-4-ADIB-2-240x300.webp 240w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/dramaturgia-balear-diagnostico-retos-y-futuro-de-un-ecosistema-en-construccion-una-reflexion-colectiva-a-partir-del-proceso-de-escucha-realizado-por-adib-a-sus-afiliadas-y-afiliados\/\">Dramaturgia balear: diagn\u00f3stico, retos y futuro de un ecosistema en construcci\u00f3n. Una reflexi\u00f3n colectiva a partir del proceso de escucha realizado por ADIB a sus afiliadas y afiliados<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Antonio Miguel Morales<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/dramaturgia-balear-diagnostico-retos-y-futuro-de-un-ecosistema-en-construccion-una-reflexion-colectiva-a-partir-del-proceso-de-escucha-realizado-por-adib-a-sus-afiliadas-y-afiliados\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3664\" data-post-id=\"3664\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/instantanea-en-movimiento-de-la-autoria-valenciana-cuando-se-deja-que-lo-imprescindible-vuelva-a-ser-invisible\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"750\" height=\"500\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-2-AVEET-1.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"Homenaje a Josep Llu\u00eds Sirera, 2027\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-2-AVEET-1.webp 750w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-2-AVEET-1-300x200.webp 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/instantanea-en-movimiento-de-la-autoria-valenciana-cuando-se-deja-que-lo-imprescindible-vuelva-a-ser-invisible\/\">Instant\u00e1nea en movimiento <br \/>de la autor\u00eda valenciana: <br \/>cuando se deja que lo imprescindible vuelva <br \/>a ser invisible<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>S\u00f2nia Alejo<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/instantanea-en-movimiento-de-la-autoria-valenciana-cuando-se-deja-que-lo-imprescindible-vuelva-a-ser-invisible\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3728\" data-post-id=\"3728\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/cruce-de-caminos-direccion-dramaturgia-e-interpretacion\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"750\" height=\"500\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-6-IYJ-1.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"El Gran Traje de Julia Ruiz Carazo. Fuente: lasalteatro.com\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-6-IYJ-1.webp 750w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-6-IYJ-1-300x200.webp 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/cruce-de-caminos-direccion-dramaturgia-e-interpretacion\/\">Cruce de caminos: direcci\u00f3n, dramaturgia e interpretaci\u00f3n<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Julia Ruiz Carazo<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/cruce-de-caminos-direccion-dramaturgia-e-interpretacion\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3740\" data-post-id=\"3740\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/cuaderno-de-bitacora-de-memoria-de-una-ficcion\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"750\" height=\"422\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-7-CB-1.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"Memoria de una ficci\u00f3n de Felix Estaire\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-7-CB-1.webp 750w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-7-CB-1-300x169.webp 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/cuaderno-de-bitacora-de-memoria-de-una-ficcion\/\">Cuaderno de Bit\u00e1cora <br \/>de <i>Memoria de una ficci\u00f3n<\/i><\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>F\u00e9lix Estaire<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/cuaderno-de-bitacora-de-memoria-de-una-ficcion\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3749\" data-post-id=\"3749\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/vivir-en-el-puente-que-une-la-orilla-de-la-realidad-con-la-orilla-de-la-ficcion\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"750\" height=\"396\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-8-DE1-1.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"By Heart de Tiago Rodrigues.\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-8-DE1-1.webp 750w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-8-DE1-1-300x158.webp 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/vivir-en-el-puente-que-une-la-orilla-de-la-realidad-con-la-orilla-de-la-ficcion\/\">Vivir en el puente que une <br \/>la orilla de la realidad <br \/>con la orilla de la ficci\u00f3n<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Javier Hernando Herr\u00e1ez<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/vivir-en-el-puente-que-une-la-orilla-de-la-realidad-con-la-orilla-de-la-ficcion\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3768\" data-post-id=\"3768\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/el-teatro-de-sean-ocasey-realismo-poesia-y-la-voz-de-dublin\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"750\" height=\"600\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-8-DE2-2.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"Escena de El arado y las estrellas, de Sean O&#039;Casey, en la producci\u00f3n del centenario del Abbey Theatre (Dubl\u00edn, 2026). Fotograf\u00eda: Ros Kavanagh.\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-8-DE2-2.webp 750w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-8-DE2-2-300x240.webp 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/el-teatro-de-sean-ocasey-realismo-poesia-y-la-voz-de-dublin\/\">El teatro de Sean O&#8217;Casey: Realismo, poes\u00eda y la voz de Dubl\u00edn<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Marta Callava <\/span><\/div><div class=\"jet-listing-dynamic-repeater__item\"><span>Enda Kenneally<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/el-teatro-de-sean-ocasey-realismo-poesia-y-la-voz-de-dublin\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3779\" data-post-id=\"3779\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/desde-albolote-al-mundo-un-paseo-por-la-dramaturgia-de-jose-moreno-arenas\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"300\" height=\"485\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-10-ND-5.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"Federico, en carne viva (drama inconcluso) de Jos\u00e9 Moreno Arenas\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-10-ND-5.webp 300w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-10-ND-5-186x300.webp 186w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/desde-albolote-al-mundo-un-paseo-por-la-dramaturgia-de-jose-moreno-arenas\/\">Desde Albolote al mundo <br \/>(Un paseo por la dramaturgia de Jos\u00e9 Moreno Arenas)<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Adelardo M\u00e9ndez Moya<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/desde-albolote-al-mundo-un-paseo-por-la-dramaturgia-de-jose-moreno-arenas\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3800\" data-post-id=\"3800\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/carmen-resino\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"399\" height=\"423\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-11-SH-1-e1781539022673.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"Carmen Resino - Entrevista con Ana Fern\u00e1ndez Valbuena\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-11-SH-1-e1781539022673.webp 399w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-11-SH-1-e1781539022673-283x300.webp 283w\" sizes=\"(max-width: 399px) 100vw, 399px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/carmen-resino\/\">Carmen Resino<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Ana Fern\u00e1ndez Valbuena<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/carmen-resino\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3806\" data-post-id=\"3806\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/jose-monleon-apuntes-para-un-viaje-infinito\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"690\" height=\"507\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-12-SH-2.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"La gallina ciega, de Jos\u00e9 Monle\u00f3n sobre textos de Max Aub. Direcci\u00f3n: Jos\u00e9 Carlos Plaza. Teatro Mar\u00eda Guerrero, 1983. Fot\u00f3grafo: Fernando Su\u00e1rez. Fuente: CDAEM.\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-12-SH-2.webp 690w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-12-SH-2-300x220.webp 300w\" sizes=\"(max-width: 690px) 100vw, 690px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/jose-monleon-apuntes-para-un-viaje-infinito\/\">Jos\u00e9 Monle\u00f3n. <br \/>Apuntes para un viaje infinito<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>\u00c1ngela Monle\u00f3n<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/jose-monleon-apuntes-para-un-viaje-infinito\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3816\" data-post-id=\"3816\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/no-me-dejes-asi-ecos-de-un-pasado-incierto-de-adelardo-mendez-moya\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"200\" height=\"314\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-13-RS-1.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"No me dejes as\u00ed (ecos de un pasado incierto) de Adelardo M\u00e9ndez Moya\" srcset=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-13-RS-1.webp 200w, https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-13-RS-1-191x300.webp 191w\" sizes=\"(max-width: 200px) 100vw, 200px\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/no-me-dejes-asi-ecos-de-un-pasado-incierto-de-adelardo-mendez-moya\/\"><i>No me dejes as\u00ed <br \/>(ecos de un pasado incierto)<\/i> <br \/>de Adelardo M\u00e9ndez Moya<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Cristina Santolaria Solano<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/no-me-dejes-asi-ecos-de-un-pasado-incierto-de-adelardo-mendez-moya\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3828\" data-post-id=\"3828\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/todo-temple-el-temple-y-los-autores-las-malas-companias-que-acostumbran-a-llevarnos-por-el-buen-camino\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"200\" height=\"266\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-14-RS-1.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"Todo temple. 1994-2024, treinta a\u00f1os de Teatro del Temple de Santiago Paniagua\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/todo-temple-el-temple-y-los-autores-las-malas-companias-que-acostumbran-a-llevarnos-por-el-buen-camino\/\"><i>Todo Temple<\/i> <br>El Temple y los autores: las malas compa\u00f1\u00edas que acostumbran a llevarnos por el buen camino<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Esteban Villarrocha Ardisa<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/todo-temple-el-temple-y-los-autores-las-malas-companias-que-acostumbran-a-llevarnos-por-el-buen-camino\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3833\" data-post-id=\"3833\"  ><div class=\"jet-engine-listing-overlay-wrap\" data-url=\"https:\/\/aat.es\/las-puertas-del-drama\/teatro-y-medicina-en-el-primer-cuarto-del-siglo-xxi-de-jose-romera-castillo\/\">\t\t<div data-elementor-type=\"jet-listing-items\" data-elementor-id=\"1329\" class=\"elementor elementor-1329\" data-elementor-post-type=\"jet-engine\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0ec4188 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0ec4188\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c254510\" data-id=\"c254510\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4038211 elementor-widget elementor-widget-jet-listing-dynamic-image\" data-id=\"4038211\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-image\" ><img decoding=\"async\" width=\"200\" height=\"279\" src=\"https:\/\/aat.es\/las-puertas-del-drama\/wp-content\/uploads\/2026\/06\/PD64-15-RS-1.webp\" class=\"jet-listing-dynamic-image__img attachment-full size-full wp-post-image\" alt=\"Teatro y medicina en el primer cuarto del siglo XXI de Jos\u00e9 Romera Castillo (ed.)\" loading=\"eager\" \/><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d66d7f elementor-widget elementor-widget-heading\" data-id=\"9d66d7f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/aat.es\/las-puertas-del-drama\/teatro-y-medicina-en-el-primer-cuarto-del-siglo-xxi-de-jose-romera-castillo\/\"><i>Teatro y medicina en el primer cuarto del siglo XXI,<\/i> <br \/>de Jos\u00e9 Romera Castillo<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc43e0 elementor-widget elementor-widget-jet-listing-dynamic-repeater\" data-id=\"3fc43e0\" data-element_type=\"widget\" data-widget_type=\"jet-listing-dynamic-repeater.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-repeater\"><div class=\"jet-listing-dynamic-repeater__items \"><div class=\"jet-listing-dynamic-repeater__item\"><span>Jes\u00fas \u00c1ngel Arcega Morales<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/teatro-y-medicina-en-el-primer-cuarto-del-siglo-xxi-de-jose-romera-castillo\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><div class=\"jet-listing-grid__item jet-listing-dynamic-post-3838\" data-post-id=\"3838\"  ><div class=\"jet-engine-listing-overlay-wrap\" 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class=\"jet-listing-dynamic-repeater__item\"><span>Carlos Ferrer<\/span><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/aat.es\/las-puertas-del-drama\/dirrrty-boys-de-gerard-guix\/\" class=\"jet-engine-listing-overlay-link\"><\/a><\/div><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Las Puertas del Drama 64. Junio 2026 Dramaturgia en red Consejo de Redacci\u00f3n Javier de Dios L\u00f3pez Marta Ar\u00e1n Antonio Miguel Morales S\u00f2nia Alejo Julia Ruiz Carazo F\u00e9lix Estaire Javier Hernando Herr\u00e1ez Marta Callava Enda Kenneally Adelardo M\u00e9ndez Moya Ana Fern\u00e1ndez Valbuena \u00c1ngela Monle\u00f3n Cristina Santolaria Solano Esteban Villarrocha Ardisa Jes\u00fas \u00c1ngel Arcega Morales Alberto [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-1323","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aat.es\/las-puertas-del-drama\/wp-json\/wp\/v2\/pages\/1323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aat.es\/las-puertas-del-drama\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aat.es\/las-puertas-del-drama\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aat.es\/las-puertas-del-drama\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aat.es\/las-puertas-del-drama\/wp-json\/wp\/v2\/comments?post=1323"}],"version-history":[{"count":74,"href":"https:\/\/aat.es\/las-puertas-del-drama\/wp-json\/wp\/v2\/pages\/1323\/revisions"}],"predecessor-version":[{"id":3894,"href":"https:\/\/aat.es\/las-puertas-del-drama\/wp-json\/wp\/v2\/pages\/1323\/revisions\/3894"}],"wp:attachment":[{"href":"https:\/\/aat.es\/las-puertas-del-drama\/wp-json\/wp\/v2\/media?parent=1323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}