IF ONE DAY I FORGET
AUTHOR: Raúl Hernández Garrido
Synopsis
The woman looking for a possible "brother". Her parents disappeared in the cleaning operations of a dictatorship, especially bloody, even fall, continues to perviviendo of impunity.The two men -brothers - they are the children of people connected to those operations of cleaning. One of them is biological son, while the other is one of those missing children born in captivity and up to now hidden his authentic origin to be accepted as the son of the torturers.The woman knows that one of the two brothers is actually the child of his parents missing. Want to get it back to clear all the horror legacy.
Technical data
Original language:
Spanish
Gender:
Drama
Female characters:
1
Male characters:
2
Released, Published, Award-Winning
Space
Without specifying
Duration
90 - 120 min.
Time
Contemporary
Year of establishment
2000
Other data
Release date: 2001
Place of premiere: Sala Cuarta Pared
Artistic team: DIRECTOR: Carlos Rodríguez ACTORES: Vicent Gavara, Paca Lorite, Carlos Ibarra
Date of Publication: 2001
Editorial: Primer Acto / Caos Editorial / Editorial Arola
Translated to: Catalan
Additional information
Premio de Teatro BORN 2000.
ORESTES: Debemos salir y volver. Nos esperan.
ELECTRA: Aquí no hay salida.
ORESTES: Si hemos entrado, eso significa que podemos salir.
ELECTRA: Nada significa ya nada.
ORESTES: Ese niño. ¿Dónde está?
ELECTRA: No hay ningún niño.
ORESTES: Lo estoy oyendo.
ELECTRA: Esto está lleno de niños.
ORESTES: Sé donde estamos.
ELECTRA: Estamos dentro de tu cabeza, en tus sueños.
ORESTES: Es la realidad.
ELECTRA: Ya no hay realidad. Sólo tus pesadillas.
ORESTES: Si eso fuera así, aquí no habría lugar para él.
(La puerta se abre y deja paso a PÍLADES, un inmenso abrigo fantasmal.)
About the author
Raúl Hernández Garrido
Writer, scriptwriter and audiovisual producer, he is one of the exponents of current Spanish dramaturgy. Recognized with the Calderón de la Barca, Lope de Vega, Born, El Espectáculo Teatral, Rojas Zorrilla, SGAE, Francisco Nieva, La Jarra Azul theater awards, Paso de Gato/Artez Theatrical Essay Award… Since 1994 he has premiered frequently, being translated and represented in several languages and spreading its dissemination throughout America. He has written fiction, published several short stories and the novel OPEN THE WINDOWS (Irreverentes Novel Award, Ediciones Irreverentes 2009). He has directed the feature films Squad Toward Death (2007), Before You Die Think of Me (2008), 24 Hours in the Life of Querejeta (2012), The Marriage of Figaro (2014), José Luis Gomez, The Mask and the Words ( 2016), Othello (2016). He directed the documentary space Extras on TVE (2009-2010). http://hernandezgarrido.com https://www.facebook.com/raulhgarrido
Specialty
AUTHOR
En la niebla, vemos avanzar dos figuras deformes. Dos seres que se bambolean mientras arremeten uno contra el otro a porrazos, Papá y Mamá Ubú. Ubú, fantasma contrahecho y fanfarrón, engaña, traiciona, roba, tortura, sojuzga, esclaviza, tiraniza, desprecia, secuestra, extorsiona, asesina… Y todo con una alegre vileza sólo comparable a su cobardía.
Este repertorio de innobles actos resulta para muchos terriblemente divertidos. Ubú provoca la risa. La risa lleva a la simpatía. Pero ojo con las bromas. Si no tuviéramos conciencia de lo que realmente significan, ¿no nos parecerían igualmente simpáticos el bigotillo de Hitler, las botas de Stalin, la cara de mono rasurado de George W. Bush? No podemos olvidar que Ubú es un tirano. Y la lógica del tirano es aplastante: diseña un universo cerrado que, extendiéndose de forma infinita, quiere tenerse por centro a sí mismo y a su misma piel como límite único y último. Todo alimenta al tirano, y el tirano no produce otra cosa que su mismo excrem
Ana Cerrada cree que su padre ha muerto en la Guerra Civil. Al morir su madre, descubre que no es así, y que fue internado en Mauthausen, llegando oficialmente a salir vivo, aunque Ana encontrará testimonios que le indican que su padre murió en el campo de concentración.
La protagonista recorre un periplo que le enfrenta a los horrores de la guerra, tanto la de España como la II Guerra Mundial, y en el que encuentra al que ella no sabe hasta qué punto es su padre o un impostor que se esconde bajo su nombre.
Todos los que quedan quiere ser un homenaje a todos aquellos que, independientemente del bando donde les “tocó estar”, han sufrido las consecuencias de la guerra y los daños de la represión política, sea ésta del signo que sea.
The action: in a Forest, so far from any part.A Child pursues an ideal. He has abandoned his home, his family, his life, and searches the Jungle to his hero, the Commander, a leader of the eternal Revolution. Want to join the guerrilla mythical whose evocation will be full of enthusiasm. When it makes contact with them, is reluctant to acknowledge that what she finds is far from their dreams: shreds of a troop, wastes human that I can barely see the heroes that they were.The Child becomes unwittingly at the center of a series of struggles for power that will take you into a world of violence. At the end you see that the heroism so dreamed of, that the ideals pursued, are reduced in the reality to a single word: survive. When you understand this, it becomes both a witness and an accomplice to the last heroic gesture of the Commander.
In an underground world, before the Door, a light, covered by a simple white canvas, slightly swollen by a breeze spectral, the three actors. The OLD, the APPRENTICE, which looks to the GIRL, which looks only at the Door
La anécdota de LOS ENGRANAJES surgió de una noticia originada en la Rusia Post-Perestroika. Un matrimonio asesinó a un amigo tras una discusión, para luego irse tranquilamente a la cama a hacer el amor. A la mañana siguiente, la mujer se encargó de convertir el cadáver del amigo en hamburguesas. Sin pretender hacer teatro-documento, o quedarse en la recreación de un hecho real, el texto sí quiere ser una indagación. Explorar acerca de esos personajes protagonistas de este hecho macabro, no para regodearse en ninguna situación morbosa, sino para preguntarse por el porqué de la conducta humana, y ver cómo un cúmulo de circunstancias nos obligan muchas veces a tomar determinaciones que, a un observador imparcial, podrían parecer insensatas.La trama se centra en la figura de la mujer, Nina. Seguimos su vida desde su infancia, asistimos a sus esperanzas, sus temores, sus ilusiones y decepciones. Su vida se extiende ante nosotros, en un esfuerzo de comprensión, de estar a su lado: su relació
The Tramp returns to the home he left more than fifteen years ago, and in which he left his wife and daughter, then a young age. But the time has wanted to take his revenge and the Tramp, after so many years, comes too late for only a few hours. If his return had taken place shortly before may have been able to prevent the tragedy. The Girl who will receive it, which means that is, and then is checked, her daughter, is bathed in blood, the red hands. Inside the room in the background entreabre lie the corpses entangled in the who was the wife of the Tramp and her lover.In the course of the play alternate scenes "everyday", in which the characters to the dialogue to try to delay the inevitable time that the tragic owns the situation. The dialog expands to the time prior to the emergence of the effects of the disaster.
Phaedra is a foreigner, a stranger. Theseus has picked up at a port of their country of origin. A country of devastation for years by a fratricidal war, a country of which only traces remain. Theseus marries her leading to the marriage a son from previous marriages, Hippolytus, which transcends age. THE REMAINS PHAEDRA reduces the characters of the classic tale in his protagonists, Phaedra and Hippolytus. The character of Theseus lives as absent and the rest is taken up by the Choir, which also amplifies and becomes real the fear, the anxiety, the desire to penetrate the consciousness of the protagonist. Its structure in terms of availability of the scenes would be set to a pattern of chronological is the story that is set akin to myth and, ultimately, to the internal development of the consciousness of the protagonist.
Two friends are at the beach, on a summer day. Through the dialogues and situations from everyday life and trivial, going up guilt, remorse, betrayal.
A man, another man, many men. The world on the surface, the world under the earth.The story of a revenge. Delirium. Choose between love and sanity. The caterpillar monstrous twists in the belly of the ciudad.De your dream of death, born to the dawns of the city.
Gaussian and Bernoulli are two scientists. The first one is a man, can that young man. The second, a woman, certainly attractive. She intends to participate in an experiment too dangerous.
NOTE: “All of the data has been provided by the authors, therefore, the AAT is not responsible for their accuracy”.
