Irrelevant, histories of a punch

AUTHOR: Eva Redondo Llorente

Synopsis

Ana has just left work and is on her way back home when she bumps into Ali who, for no apparent reason, punches her in the middle of the street in the Madrid neighbourhood of Lavapiés. The attack is witnessed – and ignored – by several passers-by. The punching incident is an excuse for several fragments of life in central Madrid to coincide. A varied portrait of people who pass by each other indifferently, unaware of other people’s dramas

Technical data

Gender:
Comedy Drama

Female characters:
6 - 10

Male characters:
6 - 10

Unpublished

Space
None

Duration
60 - 90 min.

Year of establishment
2015

Other data
Eva Redondo
About the author

Eva Redondo Llorente

Eva Redondo studied publicity and PR in Salamanca, before moving to Madrid to study acting and screenwriting. In 2011 she joined the company Nuevo Teatro Fronterizo where she trained in playwriting. In 2014 she was awarded a grant by the Cuarta Pared theatre studio to develop a playwriting project entitled Four Names for Raquel (Cuatro nombres para Raquel) and in 2015 was selected by the contemporary playwriting programme of the Aragón Employment Institute (INAEM) to write Irrelevant, Histories of a Punch (Sin venir a cuento, historias alrededor de un puñetazo). Plays written in recent years include Route 6.8 (Ruta 6,8) for Fringe12, Shock Therapy (Terapia de choque), Beware of the Dog (Cuidado con el perro), Dron Archipelago (Archipélago Dron) written with QY Bazo and Kike Torres, Moles (Topos) based on true events and written with Roberto Santiago, Schizophrenia (Esquizofrenia) and Lagrange Pie (Pastel de Lagrange) written with QY Bazo, Enrique Torres and Juan Mayorga. She is a p

Specialty
Playwright

Other plays of Eva Redondo Llorente

NOTE: “All of the data has been provided by the authors, therefore, the AAT is not responsible for their accuracy”.

Financiado por la Unión Europea NextGeneration EU
INAEM
Plan de Recuperación, Transformación y Resiliencia
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