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Ricardo es un pintor enfermo de sí mismo, hundido en un proceso de evidente decadencia, que sufre una fuerte crisis emocional que le conduce a un estado esquizofrénico donde la frontera entre lo real y lo onírico queda diluida. Su corazón roto apenas puede soportar las voces en su cabeza. La sangre como vía de escape. Una fábula moderna a partir de la figura de Jack el destripador.
Father Luke and Father Abel sing: "Salve Regina, Mater mercy" to the Mother Light that makes now image. End of celibacy. Environment very cheerful, relaxed. Disco. Pop music. Drinks. Mother Light and Mother Dolores dance alone. Come out. Father July and Rafa come from a brothel. Come Mother Alicia and Venus, professional and love. Dance with them. Father Luke and Father Abel remember when you wanted to. Mother Light and María Dolores, dressed as brides and pistol in hand, require them to marry. What the Father does July. He and Rafa are going on their planes particular with Alice and Venus. Pregnant married. Walk with baby strollers. Marriages are discussed; it is not supported. They are divorced. Mother Alicia and Venus is going to the brothel. Father Luke and Father Abel are caught loving hands. Again love. The scene empty. Venus, who now wears a nun. Going slow until the middle of the first term. Kneeling a very pious. Chant "Salve Regina, Mater mercy." A moment. Slowly, the curtain falls.
La obra, ambientada en un cementerio de coches, nos presenta la vida de unos seres condenados a una difícil convivencia puesto que únicamente se preocupan por sus funciones vitales más primarias mientras intentan sobrevivir a la represión a la que se ven sometidos por la policía.
Obra plagada de crudeza y violencia, algunos de los temas que trata son la carencia de valores, el miedo o la complejidad de las relaciones humanas. La obra tuvo una adaptación dramática, realizada por Víctor García, representada por primera vez en 1978 en el Centro Dramático Nacional.
Al amanecer, un hombre y una mujer se encuetar en un tren de cercanía. Hablan brevemente sobre la situación social y económica. El hombre toma una solución dramática, aunque reversible.
Natalia and Priscilla are two mature women who share a residence, the Theatre of the Ghost, a space that has been abandoned for years and is about to be demolished. Both recall the glorious times of the theatre, as well as Ernesto its director and leading actor, the man who shared that, as a wife (Priscilla), and lover (Natalia), respectively. The two women remember the murder of Nestor Coposo more than twenty years ago. The reading of The siege of Leningrad, the text that Ernesto was rehearsing when he disappeared, deduced that his disappearance could be due to their action of his political enemies as fellow left-wingers. Both decide to keep the defence of the theatre in which they passed their lives.
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