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Isabel speaks by phone with her husband. Eat with Peter. Ring. Opens. It is a cure. Do apostolate by the house, not to go people to churches. Sympathize and love. Is Emilio, her husband. To leave the priesthood, precise, this stimulus. Peter speaks by phone with Isabel. 't like. Emilio discovers. She goes. He removes the robe who walks alone and goes out the window. He wants to have his own end and think again. Enter Adriana. You wanted a long time ago. Lives in him as in a dream of the past. Again Elizabeth. Are the presents. Not hear or see. Go to the mirror. Now speak. Elizabeth, will love her husband and Adriana him to conquer. Gives him a knife to kill. What does in and out. He dressed as a bishop with a cassock gave it to Elizabeth. Return. Is Isabel. Gives him a knife to kill Adriana and release the past. It does so also. Isabel and Emilio are not known and they are two strangers. Both decide to stab Emilio. Do it. It is nobody dies. He may never have existed. The two speak.

Dos jueces reflexionan sobre la limpieza de las puñetas de sus togas.

Los cinco personajes de esta obra viven una serie de conflictos y situaciones que nos sirven para dibujar su carácter y su destino. Los protagonistas son unos viejos gatos en un caserón de campo abandonado. Allí reviven los ecos, dimensiones y emociones de otros tiempos, y la búsqueda de un futuro imposible ante un mundo nuevo que destruirá todo lo anterior.

El tiempo y el espacio se convierten en protagonistas del drama, al tomar cuerpo y dimensión escénica. Paralelamente se viven dos historias de amor, la de los personajes que ven cerrarse el horizonte de su vida, y la de los personajes que empiezan el camino, y que, al descubrir el amor, encuentran un nuevo sentido a sus vidas.

El mundo del circo aporta unas pinceladas al cuadro, como el mundo barroco y decadente de los jardines del pasado o de la música de Mozart, con la mirada filosófica –escéptica y resignada- de Marca Aurelio, y su importante obra Meditaciones.

En el Planeta de los Sentidos, gobernado por Naturaleza Con Sentido, hay dos habitantes muy especiales: Lechuguindo y Teatrininda, el cocinero y la bufona del planeta. En este planeta hay también una hechicera, llamada Tremebunda, que solo desea tener poder para adueñarse del planeta. Para ello se propone casarse con Naturaleza, por lo que un buen día se dirige a su encuentro con ese propósito. Naturaleza rechaza a Tremebunda, por lo que ésta, ofendida, pretende vengarse de ella. La venganza ocasiona que los habitantes del Planeta pierdan sus sentidos, que solo recuperarán si…

Monologue tragic. HE, eighteen years. Dress wrong. Just looks. Don't know where it is located. Feel that is formed as the pieces of a coat, broken. What is without it be? Want to hear the voice that you create yours. It is in the womb of his mother. Temperature grata in a river that learns to swim. You want the title to live. What will your parents? He tells his mother not to entertain the midwife. He comes into the world. Don't go to their parents. Will be on vacation, they like to ski. She looks sad. Constant bombardment. Accused of irresponsible for not using contraceptives. An invader abused her and her husband agreed. The censorship. Breast in the breast of the mother. A bullet kills. He has an appetite. Another bullet kills the husband. Light. Comes out. Enters. It has grown with other refugees. They travelled miles to a peaceful world. Horror and hunger. Barbed-wire fences, walls, fences. Driven to spend. Falls. Blood drowns their bodies as if they shot bullets invisible. Dead returning to the womb of the earth. Dies.

Atención al cliente: La Máquina está entrenada para responder amablemente los requerimientos del ciudadano al otro lado del teléfono... Aunque quizá ninguna de sus múltiples opciones -marque 1, marque 2, marque 3...- sirva para solucionar problema alguno cuando lo que verdaderamente está averiado es la democracia.

PREMIO INTERNACIONAL DE MONÓLOGO TEATRAL HIPERBREVE "GARZÓN CÉSPEDES", 2011

Petición de texto: labarcateatro@telefonica.net

889-894 de 2432 obras

IMPORTANT: The inclusion of this content does not imply any transfer of rights on the part of their authors, who retain their integrity, and may not be infringed by any third-party without having to answer for the violation incurred. This implies the prohibition of exploitation title lucrative, not to mention its authors. However, any person or entity interested in the exploitation of the works included in Buscautores you are able to contact them through the AAT.”

NOTE: “All of the data has been provided by the authors, therefore, the AAT is not responsible for their accuracy”.

Financiado por la Unión Europea NextGeneration EU
INAEM
Plan de Recuperación, Transformación y Resiliencia
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