The siege of Leningrad
AUTHOR: José Sanchis Sinisterra
Synopsis
Natalia and Priscilla are two mature women who share a residence, the Theatre of the Ghost, a space that has been abandoned for years and is about to be demolished. Both recall the glorious times of the theatre, as well as Ernesto its director and leading actor, the man who shared that, as a wife (Priscilla), and lover (Natalia), respectively. The two women remember the murder of Nestor Coposo more than twenty years ago. The reading of The siege of Leningrad, the text that Ernesto was rehearsing when he disappeared, deduced that his disappearance could be due to their action of his political enemies as fellow left-wingers. Both decide to keep the defence of the theatre in which they passed their lives.
Technical data
Original language:
Spanish
Gender:
None
Female characters:
None
Male characters:
None
Premiered, Edited
Space
None
Duration
None
Other data
Release date: 1994
Place of premiere: Teatro de Baracaldo
Date of Publication: 1995
Editorial: IBERAUTOR PROMOCIONES CULTURALES
Translated to: English
About the author
José Sanchis Sinisterra
José Sanchis Sinisterra (Valencia, 28 June 1940) is a playwright and a theatre director English. It is one of the authors most awarded and represented by the contemporary Spanish theatre and a great renovator of the Spanish scene, being also known for his teaching and teaching in the field of theatre. Linked to the study and teaching of literature, has claimed always the double nature –both literary and scenic– text dramatic. In addition to his works, in his role as researcher and popularizer, Sanchis Sinisterra has written numerous articles on theatre and participated in several symposia and congresses dedicated to dramatic art.
The work focuses on the misadventures of Rivers and Solano counties, two wretched actors, members of a ñaque (theatre company made up of only two actors) in the Spain of the SEVENTEENTH century, which, through witty dialogues, walking his poverty and his talent on the roads of Castile.
Carmela and Paulino are two actors of the magazine that in the middle of the Spanish Civil War, acting in republican Spain. Because of an error, the lines cross and they are made prisoners by the rebels. They order them to represent a show for his troops, and that includes a parody against the Republic, to make a mockery of the brigades international that are going to be shot. Carmela, indignant, subverts espontáneamenta this parody, despite the desperate attempts of the hammered Pauline, and ends up being shot as well. Pauline is left alone and have no consolation that get drunk and to receive visits from the spirit of Carmela. The work is constructed as a large flash backs from the memories of Paulino and Carmela dead, and includes numerous references to both political and the popular theatre of the time.
NOTE: “All of the data has been provided by the authors, therefore, the AAT is not responsible for their accuracy”.
