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A man of fifty years. Went as a child of errands in a factory, weapons, and now is a great director general that dominates the world with its sale. Caters to large countries to attack and small nations to defend themselves. Displayed on your table, boxes of bullets, bombs, missiles. Prepare a great war to overthrow the dictator. Assists pleased her and delights in watching a fireworks display. The dictator dies, it becomes a democracy. Your mind is tortured with the large number of corpses of those who feel the guilty murderer. Look at his hands and handling blood. He hates the war; beings have the right to life. you must invest in culture and health care. Refuses to work. What stack. Now it is a poor man with torn clothes, old. Has very hungry. Sit down at your table. Put a tablecloth and a napkin. Put a few flowers. It has a great appetite. Pulls out a plate with bullets. They are so rich and do not expire. I take salt with a salt shaker. Eat tasty. Their hands to the stomach. A shot. Dies.
“Las ávidas raíces” muestra con crudeza y ternura el vínculo recio y enmarañado que ata a una MADRE y a su HIJO. Una obra desnuda y valiente que invita a los espectadores a compartir una experiencia necesaria: la de contemplar con mirada sincera sus vínculos con los padres y con los hijos.
Susi, Carmen y Encarna, mujeres en torno a los sesenta años y amigas desde el colegio, se reúnen en un hotel a las afueras de la ciudad. Han pasado seis meses desde la muerte de Bárbara, una mujer treinta años menor que ellas y a la que todas amadrinaron y quisieron de manera diferente.
La última petición de Bárbara pone sobre la mesa las distintas visiones de unas sobre otras y sobre sí mismas. En torno a su relación con el trabajo, la maternidad o el feminismo se irá dibujando el mapa de sus contradicciones al tiempo que se traza el destino de su amistad.
Agree on a lonely road. Wind. She protects her skirt. Fall in love with. You want to be raped. He removes his pants black and flees. Speaks with the voice of her, to possess it. Out of the bedroom and sees it. What it is fact or fiction? Disappears. The pastor. To not go to anyone at the church, a visit to the parishioners. He admitted it. Accused of indecent acts with himself. It is natural. Have a friend heals and confess to each other. Want to marry the pledge and was denied. Father, and she pants. Request. She leaves, comes with a piece of light blue, that gives the father and this to him. Wedding march. Fall door room them. Label. Father white garment in tray. Scenario. Mutis father. Judge the house. Yes strong it and voice it. Wedding night. She returns. What is still willing. He will go to court to get a divorce. Desist. End of it by a fetishist and onanista. Gives him a package. Mutis. Loneliness. Open package. Panties of all colors. The spear in the air. On his head, rainbow said.
The action takes place in the cities of Vigo and Santiago de Compostela during the spring of motion, 15 M, months before ETA to announce, in October 2011, the termination of the armed activity, and dates back to the early 80's of the last century, the years of terrorism harder and LAGS. There are two frames main intertwine as they advance the action. On the one hand, the story of a dam of ETA who had just gotten out of prison after serving his sentence and, in parallel, of a young man who wants to know everything about her mother -absent from his life since he was a child - to finish discovering the terrible secret, who hides his disappearance.
Un amigo y una amiga cumplen las últimas voluntades de un amigo común. Para ello tienen que tomar el tren hasta Valencia y de ahí buscar el lugar ideal para echar las cenizas en el mar. Han gastado mucho dinero en la caja, las flores…Hace un viento espantoso. Finalmente, tras muchos rodeos, deciden el sitio. Al disponerse a abrir la urna se encuentran con infinidad de dificultades muy cómicas. Cuando por fin consiguen rescatar las cenizas y deciden lanzarlas al mar, lo hacen con el viento en contra y les caen encima.
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