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La heroína, fue la plaga que asoló en España, a la generación que vivió su juventud en la época de la Transición. Y “Agua con limón”, refleja este fenómeno en tres niveles; el conductual, el científico y la recreación mágica de unas bailarinas, que reproducen los procesos químicos que ocurren en el cerebro, con la adicción.
Una obra en tres actos, divididos cada uno en tres escenas, donde la duración de actos y escenas, se va acortando a medida que avanza la trama y a la vez que se va precipitando el final de algunos personajes, por la fatalidad a la que les conduce la heroína.
Living together as a couple is difficult for you to maintain. The most delicate appears, when, through the years of life in common, it is invaded by the monotony and the discrepancies of character and aficciones.After years of marriage, the relationship between Sandra and Raul has been splashing of small disagreements... He seems to have taken refuge in the sport "soccer". For its part, Sandra claim the importance to her your social life.A night that Raúl is only willing to enjoy a "great match", placidly installed in the sofa, a whole series of events will precipitate an unexpected "storm" on their monotonous lives. The fleeting happiness of Raúl vera truncated to suspect that his wife...
A young stars in an altercation in the square of Zaragoza, where it displays the cannons commemorating the defense during the war of Independence, and today point to the door of a well-known shopping center. After an act of resistance to the authority and aggression to an agent of the same, the author of acts is transferred to a detention center.
To verify that goes undocumented and that it is identified with the name of the Agustina of Aragón starred in the feat of 1808, he decides to submit to a psychological evaluation that will end up sowing doubts among even his interrogators, to the time the event is taking on a considerable impact in the social networks.
The memories and also the ghosts of Agustina confused on is plot on the decisions that change the course of a life, and the necessity of heroism in an age increasingly pragmatic, in a world where they accumulate too many corpses unnecessary, and so many injustices unresolved.
Larbi, un joven marroquí, llega a España con la esperanza de una vida mejor. En su travesía hacia Barcelona, sufre explotación, racismo y discriminación, viéndose obligado a sobrevivir en los márgenes de la sociedad. La violencia que padece lo transforma, y termina por convertirse él mismo en agresor, para así experimentar el placer de infligir el mismo dolor que ha recibido. La obra ofrece una crítica profunda a la deshumanización del inmigrante y a la hipocresía de una sociedad que, pese a proclamar hospitalidad, rechaza al diferente.
Based on real events narrated by the protagonist, the work depicts in dramatic form, although lacking in humor, the experience of Ahmed, a Palestinian refugee who left Gaza and finally arrived in Spain, after a series of adventures and (hence the title) Kafkaesque bureaucratic labyrinths.
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NOTE: “All of the data has been provided by the authors, therefore, the AAT is not responsible for their accuracy”.
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